Portland based artist Elizabeth Atterbury talks art, inspiration, and the transition of being a new mother with KAC in our latest Interview Interview.
Myke Venable's work investigates the infinite potential and purity in shape indicating a visual representation of his own paired-down universe. From detailed sketches in an open notebook on the worktable to mathematical drawings tacked to the wall, Venable's studio is a perfect diagram of his working and theoretical process. During our visit, KAC viewed Venable's newest body of work and saw how his paintings have evolved into what they are today.
While teaching at The Art League in Houston, Venable rediscovered his love of drawing. He has since dedicated one of the largest walls in his small studio to colorful geometric explorations, mapping out on paper his ongoing study of the complex relationship between shape and color. While he views his drawings as independent works, they also serve as inspiration for shaping his large canvas and panel paintings.
The drawings come to life on wood panels covered with pristine layers of acrylic paint squeezed straight from the tube. Mixing colors, he explains, would complicate his process of instinctually matching color and shape. Venable then focuses on creating thought provoking relationships through the particular arrangement of each element on the wall.
Venable’s newest paintings cleverly juxtapose not quite symmetrical shapes with slightly irregular placements and parings. Tension builds within the negative space between the paintings as they barely touch, leaving the viewer to question whether the forms are merging together, floating apart or statically coexisting. Every combination creates a new dynamic that alters the energy of the cluster itself, therefore impacting the space in which it resides.
Trammel Crow's Energy Center 5
Kinzelman Art is proud to announce the completion of two site-specific commissions created for Trammel Crow's Energy Center 5 building lobby located in the Houston Energy Corridor. In May 2016 we installed these unique works of art by artists, Val Britton and Ara Peterson enhancing the elegance of the interiors and infusing energy into the lobby.
"Many of my colleagues are not familiar with the dynamics and environments of the art world, therefore it can certainly be intimidating to approach, but working with Julie and her team, we found that the process was very inviting and approachable. The two artists that were selected were highly vetted, and we all feel we selected two representative pieces that are spot on for the opportunity." - Cody Armbrister, Senior Managing Director, CBRE
With more than 40 offices worldwide, international energy trading company, Vitol, has one of its largest operations in the Upper Kirby neighborhood of Houston, Texas. Kinzelman Art organized the relocation and exhibition of Vitol's art collection, (as managed by Kinzelman Art since 2010), to Vitol's new award winning offices designed by interior architecture firm, PDR Corporation. Successfully working in tandem with one another, the modern art collection and the sophisticated interior architecture expands one's experience of the typical corporate environment by creating a progressive, museum-like work place environment.
"We have an appreciation and understanding of the unique role that art can have in the workplace. Over the years, Julie and her team have been instrumental in the selection of new pieces to add to our collection. Our new work space was designed to intentionally highlight certain works, so proper selection and placement was critical. Kinzelman Art made that process very simple and the end result is better than what we had initially envisioned." -Scott Adams, HR and Administration, Vitol
California based artist Klea McKenna walks KAC through the evolution of her first beginner photography class to her ongoing experimentation with photograms. Read our interview below to learn how McKenna continuously pushes the boundaries of traditional photography practices, producing an innovative body of work.
McKenna is represented in Los Angeles, California by Von Lintel Gallery.
KAC is pleased to share our exclusive VIP pass to Houston's leading art fair, Texas Contemporary, opening Thursday September 29th, 2016 at the George R. Brown Convention Center. CLICK HERE to obtain your pass, which grants free access to the Thursday night opening preview, and admission to all public days of the fair. We also encourage you to consider upgrading to a Patron Pass, which raises funds to benefit the Contemporary Arts Museum, Houston. We can't wait to see you there!
Hidden at the end of a beautiful lot densely populated by lush Houston greenery, Libbie Masterson's studio feels like her own personal oasis. The high ceilings and large windows yield a flood of soft natural light ideal for viewing her vast array of work including photographs, paintings, watercolors, glass mosaics and even stage set maquettes.
Masterson's lively persona is a striking counterpart to her tranquil, contemplative work. Our studio visit began with a look at her new glass mosaics, an extended exploration of her large-scale installation at the Houston Hobby Airport. These works are heavily influenced not only by Masterson's affinity for nature, but also music. Masterson shared her life-long fantasy of composing a symphony, and explained to KAC how she incorporates this hidden passion into her work by listening to songs on repeat and allowing the music to dictate the emotional direction of each mosaic.
The imaginative glass compositions provide a splash of color to Masterson's otherwise monochromatic studio, filled with icy landscape photographs of deep grays, blues, and whites. These mesmerizing and meditative photos are back-lit and displayed as illuminated light boxes. Masterson walked us through the rewarding process of working with the light boxes, and calculating the perfect hue and strength of light to properly enhance the imagery without overpowering it.
Masterson’s dream project: set design for an entire opera! Her infinite sources of inspiration and matching talent pose a promising future of endless possibilities and exploration. Be sure to attend her upcoming exhibition, opening September 10th 2016 at Catherine Couturier Gallery, who represents Masterson in Houston.
Former Director of Affiliates for the Solomon R. Guggenheim Museum in New York, Alison Weaver, walks KAC through the exciting transition into her current position as Executive Director at Rice University's Moody Center for the Arts. Check out our interview below to get the details on Weaver's return to the Houston art community!
Don't miss Rice University's new Moody Center for the Arts, opening to the public in February of 2017.
Rendering of the new Moody Center for the Arts
On our latest studio visit, KAC got an inside look at Sharon Engelstein's eclectic studio, settled in the core of Houston's Museum District. Engelstein's studio is a breath of creative fresh air, fully equipped with a professional-grade kiln, her collection of colorful children's toys and all other essential elements to her creative process.
Sharon Engelstein's kiln
Engelstein's "Dillidiidae" at Hermann Park
Engelstein is commonly known for her sculpture “Dillidiidae” that is currently on view in Hermann Park. This exuberant piece has served the community as a public art landmark for the past two years. Her imaginative and anthropomorphic forms range in scale, material, and purpose, and KAC was eager to see what's currently cooking in her studio.
Ceramic sculptures, "Feel Fine I" and "Feel Fine II"
Upon expressing our curiosity, Engelstein proudly revealed her growing collection of small organic clay sculptures. While staying true to her barnacle-like forms, she has temporarily stepped away from her meticulous planning process that traditionally plays a significant role in her work. This shift encourages Engelstein to work more intimately within her studio, allowing her sculptures to evolve into their own individual identities.
We can expect to see great things from Engelstein, who says her best work has yet to come. Sharon is represented in Houston by Devin Borden Gallery and will have her next exhibition in 2017.
Engelstein's work in progress clay sculpture
Corporate Collection Project
Kinzelman Art is celebrating the completion of a 4-year, comprehensive art management initiative for a corporate client collection. Managing this collection has been a significant opportunity for Kinzelman Art, and we are proud of our dedicated efforts and achievements through this ambitious undertaking. KAC is honored to have been selected to expertly lead this outstanding collection.
Chermayeff and Geismar, Red "O" Tower
Soo Sunny Park, Capturing Light
Hughes Landing Project
Recognized by the Houston Business Journal as the 2016 recipient of the Landmark Award in mixed-use development, Hughes Landing is a 66-acre master planned community located in The Woodlands that features numerous works of public art throughout. Continuing the collecting philosophy of The Woodlands, Hughes Landing retained Kinzelman Art Consulting to procure and commission several public works of art for select locations to further enhance the community.
Yvonne Domenge, Wind Waves
We were thrilled to add to the magnetism of Hughes Landing via the placement of invigorating works of art by such artists as Mexico City based Yvonne Domenge, and Washington State artist Julie Speidel. We find that the overall success is seeing these public works of art serve to unify the community through an artful experience.
KAC asked Curator of The Menil Collection, Michelle White for an inside look into her daily life and points of inspiration. See what this Houston art community power house has to say.
Inside of The Menil Collection
KAC got an exclusive look at our newest neighbor, Capsule Gallery. True to it's name, the tucked away space on Main Street is quaint yet open and full of fresh and innovative ideas.
We had the pleasure of chatting with Capsule's owner and director, Sarah Sudhoff. Sarah's dynamic background reflects the gallery's whimsical and refined array of works. The innovative progarm combines contemporary photography and craft, representing emerging to established artists.
Capsule Gallery kicked off the summer with exhibition, Fibers of Design, featuring three craft artists, Amada Miller, Meghan Shimek, and Delaney Smith, who work in various textured mediums.
Texas based artist, Michael Kennaugh, talks art with KAC. In this exclusive interview Kennaugh describes his experience in the growing Houston art scene and the colorful inspiration behind his process. He also reveals a glimpse into his forthcoming body of work.
Michael Kennaugh, artist
Founder and Director of bitforms gallery, Steve Sacks, gives us the inside scoop on his quirky upbringing, his futuristic gallery, and his twenty-first century go-to technological tool in this exlusive interview with KAC.
Inside view of bitforms gallery
KAC got together with Rainey Knudson for an exclusive interview discussing the forthcoming April 30th OFF ROAD event with William Wegman. Here is what Founder and Publisher of the Texas arts online magazine, Glasstire, has to say.
KAC is on the road to the Dallas Art Fair. We hit the ground running Thursday morning to be among the first to preview the fair. We are excited that the fair is getting stronger with the addition of new dealers, such as Carl Freedman, London, and Taymour Grahne Gallery, New York. We have also connected with our old friends: Wendi Norris, San Francisco, Lisa Cooley, New York, Bitforms, New York, and Tally Dunn, Dallas.
Casey Williams, Untitled, c.2012, acrylic on archival inkjet print. Exhibited at Art Palace Gallery.
Casey Williams, Untitled (detail), c.2012, acrylic on archival inkjet print. Exhibited at Art Palace Gallery.
As a long time friend of Casey Williams we were delighted when Art Palace put on an exquisite show of never before seen works by Williams. In conjunction with Fotofest Biennial 2016, a discussion panel revolving around Williams' final works was organized by his wife, Jo Ann, studio assistant, Nick Merriweather, and the owner of Texas Gallery, Frederika Hunter. The dialogue between the three was a culmination of reminisicing over Williams' work style, the meaning behind his final series, and the lasting mark he has made on the Houston art scene.
Casey Wiliams, Studies of 4 x 4 foot photographs
For Williams, expirimentaiton across all mediums and ideas is what led to his final series being known as the "painted-ons", where Williams would brush paint across his photographic images. Williams did not personally speak much about his art. However through Williams' life, it is indisputable of his love for the Houston ship channel and the influence it made on his work. Williams was particularly interested in the way a ship would float toward the surface as goods were unloaded, decreasing the ship's weight. The lower portion of the ship would then be repainted by the crewmen. The action of repainting is symbolic of Williams' paint strokes atop his own images. Many of the strokes are colors of blues and silvers, further symbolizing the shimmer and reflection of water and possibly an ode to his earlier silkscreen works, as well as becoming a meditative process for Williams.
Book compiled of photography by Casey Wiliams
Casey Williams noticed details that many would naturally overlook. He forced the viewer to go somewhere they would normally bypass, giving a new perspective to the world. Williams was a master at opening up our eyes to beauty.
Casey Williams, Untitled, c. 2012, acrylic on archival inkjet print on satin. Exhibited at Art Palace Gallery.
Casey Williams, Untitled & Untitled, c. 2012, acrylic on archivsl inkject print. Exhibited at Art Palace Gallery.
We first discovered artist, Yamini Nayer, at a presigious art fair last year. Brooklyn based, Nayar, has been on our radar since, and we recently had the pleasure of doing an interview with her! Check it out now on our Let's Talk Art Interview below to see what her art process is all about.
While we were in Mexico City, we had the pleasure of doing a studio visit with Tomás Díaz Cedeño. We were initally introducted to Cedeño at the Texas Contemporary Art Fair in 2015 at Yautepec Gallery, so we were eager to meet him and learn more about his intruguing process. Take a look at our Let's Talk Art Interview with Cedeño for more on his inspiration and reflections on being an artist in Mexico City.
Tomás Díaz Cedeño, Untitled (Black, White, Flesh), 2015, Vel-mix, pigment, plastic mesh, aluminum
Garbriel Orozco at the Jumex Collection
After our recent visit to Mexico City, it is clear that the city’s burgeoning art scene lives up to its hype. After being introduced to several impressive Mexico City galleries at the Texas Contemporary Art Fair, we were excited to explore what else the city had to offer. During our stay, we managed to visit multiple museums and galleries, an artist’s studio, and two art fairs, Zona Maco and Material. Every experience left us continually impressed by the fresh perspective within this growing arts community. Below are a few of our favorite works from the weekend.
Julieta Aranda at the OMR Gallery Nancy Rubins at Gagosian Gallery
KAC's Adrienne Johnson at Under the Same Sun: Art from Latin America Today at the Jumex Collection
Elizabeth Atterbury at Document Space
Carlos Irijalba at Galería Moisés Pérez de Albéniz
Kim Ye at JAUS Kim Ye (detail) at JAUS
Imi Knoebel at Von Bartha Gallery
by Julie Kinzelman
I recall interviewing Adrienne 10 years ago to fill the role of Jr. Associate, and thinking how uncanny it was that she seemed so familial. I was instantly impressed with her accessibility, curiosity and ambition. Fast forward to 2016, and Adrienne has now positioned herself in a prominent role as Vice President of Kinzelman Art.
Adrienne has an unfaltering work ethic and is genuinely passionate about advancing her knowledge and experience. With every year that passes, I grow in admiration of her dedication to polishing her skills as an advisor. She has the best sense of design, exquisite taste, and a sharp sense of humor.
I owe a tremendous amount to Adrienne as she has greatly contributed to the growth of the company. She supports the company’s ethos and displays unending faith in the possibility of our future.
I sat down with Adrienne to walk down memory lane and reflect upon her 10 years at Kinzelman Art - here's a bit of our discussion...
JK: When you think back to the beginning of your career, you've experienced so much- can you reflect upon a few highlights? Did it take a while to put together what your role as an advisor was going to be?
AJ: I entered this position with a lot of the necessary skills, but it took me some time to master the depth and diversity of the tasks. Every day was different and I was devouring as much knowledge as I could. Even the somewhat menial tasks were thrilling; it was a very exciting time for me.
JK: At this stage in your career, what aspects of your work excite you, and what do you aspire to accomplish that you haven't already?
AJ: What I love about my job is the creative license. Having the opportunity to utilize creativity and imagination is truly fulfilling. As for what I aspire for, truthfully, I just want to continue to challenge myself towards growth. I'm more focused on a broad concept rather than a task or a number, it's about philosophical achievements for me.
JK: What are aspects of working at KAC that you feel proud about and might differentiate us from anybody else in the city that's doing this too?
AJ: It's the level of care that we put towards our work that I am so proud of. At KAC our goals go beyond making the client happy. It’s about making sure that the art shines and functions seamlessly in the client’s environment and expands into a more broad spectrum view of the success of the collection as a whole.
JK: After 10 years in the art industry, what are some of the trends in the market or in collecting that you've experienced? What have you seen and what's notable to you?
AJ: In the past five years, I’ve noticed our clients purchasing more cutting edge and conceptual works of art. There is a clear trend towards seeking artworks that express sophistication and simultaneously push boundaries. I love that collectors are pushing beyond traditional styles and media and are more open and receptive to buying new media and exploring new materials.
JK: You grew up with an artist as a mother. Tell me about how your upbringing influences your work today.
AJ: This part of my personal history is integral to my identity as an arts professional. From a very young age, I was exposed to the broad and diverse art community in Houston. My parents’ social structure was built of artists and as an only child I had the opportunity to learn how to interact and communicate with creative people. Furthermore, I spent a lot of time in my mother’s art studio as a child and I became comfortable in the setting. Today, a studio visit with an artist is a special treat for me as it feels both familiar and fresh. For my mother, her practice was her profession and she was very dedicated to it. It instilled in me the understanding of the innate need to create work and as a result I have a deep respect for the discipline it takes to be an artist. These experiences have taught me invaluable lessons of how to navigate between the creative and business worlds.
JK: What is on your bucket list for the future?
AJ: Travel is always on my mind. I love the learning opportunities that arise through stepping out of my comfort zone and visiting a new place.